Preface to Helene Southern Slater
Helene Southern Slater was eighty-four years old when I began to
interview her. Though in a wheelchair, this self-made woman with an
authoritative presence exuded vitality and pride. Now living in a
nursing home, she has covered one wall of her room with awards she had
received over the years. With her eyesight failing, she devotes hours
each day listening to news programs on television to keep abreast of
world events, talk shows on radio so she “will know how people are
thinking” and sports broadcasts because she especially admires the
achievements of athletes. Helene is a descendent, through her mother,
of West Ford, a slave owned by George Washington who is believed by the
family to be the illegitimate son of the first president of the United
States. Helene considers racism a far more intractable social problem
than gender bias in America, and, in later issues of this website, her
stories will explore the effect of the Depression on middle-class
Afro-American families, the struggle for education and entrance into
the professional classes, and the dynamic of the father-daughter
relationship. This story concerns her youth when she was a protected
middle-class child and tells how, as an adolescent, she discovered the
real meaning of racism.
HELENE SOUTHERN SLATER
The Awakening
My
name is Helene Ford Southern Slater. I’d like to introduce myself as a
colored lady because that's what people of my complexion were known as
when I came along in 1913. I grew up
in the great city of Philadelphia. Benjamin Franklin and William Penn
are our heroes. At one time Philadelphia was the capital of the United
States, and it has many places that people like to visit such as
Independence Hall where the Liberty Bell lives—you can see its crack.
The great city of Philadelphia was a
segregated place when I was a girl. There were colored neighborhoods
and white neighborhoods. Colored people weren’t allowed to go into the
white movie theaters, but I wasn't aware of this because white people
could, and did, come to our theater, the Royal on South Street. I never
felt I was losing anything going to the Royal because Fats Waller
played the organ during the silent movies there. Yes, Fats Waller, and
he was sensational. People were just stomping on the floor when Fats
played for the comedies and the westerns.
It was at the Royal that I saw “The
Phantom of the Opera” when I was about twelve years old. I still
remember vividly the scene when the girl goes underground and looks for
the phantom. During that scene, Fats was playing all this creepy music.
The girl finally finds the phantom, she reaches out and pulls the mask
off the phantom's face, and when Lon Chaney turned around and showed
the audience what he really looked like—his face was horrible—Fats
Waller hit that organ. I'm telling you, he scared the water out of us
children. I've never been as scared in my life since.
I’m talking about growing up in
Philadelphia. I’m saying there was prejudice in Philadelphia, but I
didn’t understand what this meant as a girl. I had no idea what it
meant. No idea.
We lived at 1513 Christian Street, in a
middle-class colored neighborhood. Judge Armand Scott lived across the
street from us. The Nicholas Brothers lived three doors down. The
Nicholas kids became famous dancers, but when I was growing up they
were kids just like me, and we used to dance together out on the
sidewalk.
Marian Anderson lived around the corner
on Frasier Street. Marian’s sister Alice became my best friend, and
through her I met Miss Marian. In those days, Marian sang at the local
churches and my family would go and pay seventy-five cents to hear her
sing.
On Sixteenth Street, just above Catherine
Street, was our fire department company. There were no colored firemen,
but as kids we loved to go over to the firehouse to see the horses.
Picture this: Whenever there was a fire, the gong rang in the
firehouse. The horses knew what to do. They heard the gong ring, and
not guided by anybody, they walked backward, backed under their
harness, and waited for the firemen to fasten the harness in place.
Once the harness was attached to the hook-and-ladder, the horses pulled
the truck and the firemen to the fire. The firemen always hung onto the
side of the fire truck, and one of them kept striking the gong as they
went tearing through the city streets. Watching these beautiful horses
perform was amazing and thrilling.
Every New Year’s Day, the Mummers’ Parade
came down Broad Street. Colored people weren’t allowed to march, but as
a girl what this parade meant to me was that I could hear fantastic
bands of mandolin and banjo players, and when I was a little older, I
would go with the other kids and sell peach baskets to people so they
could sit and watch the parade. I loved string band music, and it was
fun selling peach baskets for fifteen cents and making a little money.
It was years before I understood that the
place known as the city of brotherly love did not feel love for all its
brothers and sisters. There was racism all around me, in the movies, in
the stores, in the schools, in the streets. But in all honesty I don’t
believe I suffered any bad effects from it as a child, and I attribute
this to the way my father sheltered and nurtured me.
My mother died when I was five years old,
during the great influenza epidemic in 1918. My father, William
Southern, was the son of a Blackfoot Indian. Pop was a chubby little
gentleman, handsome as far as I’m concerned. He was not an educated
man, but he had built up a successful business. His company was called
the Crescent Paint Company, and he painted large office buildings like
the Campbell Soup Company, the home offices of the B&O Railroad,
and the Baldwin Locomotive Works.
Pop gave my sister and me every advantage
he could. He was able to buy us the things we needed, we were never
hungry for food, we had all the clothes we needed, and he gave us
plenty of affection and discipline. As a girl back home in
Philadelphia, my job was to go to school, study and get good grades,
and take music lessons.
When I think of my childhood, the
memories are of a wonderful, exciting, safe period in my life. Racism
was all around me, but it wasn’t something that caused me any worry or
misery. I had a few more years of innocence before the world got around
to teaching me what racism really meant.
Philadelphia
was a center of education when I was growing up. One of the greatest
colleges in America, the University of Pennsylvania, is there. Gerard
College didn’t admit students of my complexion when I was young.
Lincoln University was the colored college, but it was for men only.
My elementary school, where every day we
said the pledge of allegiance to the flag and recited a prayer, was
segregated. To be honest, the fact that I wasn’t permitted to go to
school with white children didn’t mean anything negative to me then.
Black teachers were required to teach black pupils, but even in
hindsight I regard that as a fortunate situation because our black
teachers knew what black people had accomplished and what black people
were trying to achieve, and they told us during our civics lessons.
White teachers wouldn’t have been interested or known this, or if they
did, they wouldn’t have emphasized it as strongly. At school
assemblies, well-known and accomplished black persons came to speak to
us. In the fourth grade, I heard Dr. George Washington Carver at one of
our assemblies. I have remembered that event all my life—that I was in
the presence of Dr. George Washington Carver. Our teachers brought us
students into contact with black people who we could admire and respect
and want to emulate. I’m saying that in my school the emphasis was on
accomplishment—how much colored people had achieved—not how much they
had suffered. I’m saying that my elementary school teachers made me
feel proud, not ashamed, of being colored.
Let me tell you something about racism.
You don’t realize it's going on unless it happens to somebody else like
yourself. You have to see it happen to somebody else, and you have to
identify with that person. I didn’t identify with people who had bad
things happen to them, so when certain things happened to me that were
unjust, I didn’t understand the cause.
When I was growing up, I saw pictures in
the newspapers of colored people being lynched, but somehow it had
never registered that these horrible things had anything to do with me.
It was something that happened in my own family that woke me up. I
vividly remember the day I was visiting my aunt and uncle, and here
comes Uncle Jake’s sister from Florida. She wasn't expected. She had
her children with her, and she was in tears, crying hysterically. What
had happened? Her husband had been lynched. Lynching was what I had
seen in the papers, colored men hanging from trees. But this lynching
was not something I read about in a newspaper. This had happened to
someone in my own family! I never forgot, I never forgot that occasion!
This terrible, violent thing had happened to my own family, and I
realized that it could happen to me.
Excerpt from Footprints, © 1997 Janice Maruca
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